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Indiana Jones |
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My thoughts on this series as a whole have not entirely been formed yet,
at least not so far as I would feel comfortable making them public. But anyway, I highly doubt
that you came here to read what it is that I may or may not have thought.
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| Issues Owned: |
2, 7, 9, 17, 20, 34
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of ?? |
| #2 | | February, 1983 |
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| Script | Lay Outs | Inks | | Missouri o'Neil | Chicago Byrne | Michigan Austin | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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July, 1983 | | #7 |
| Plot | Penciller | Inks | | David Michelinie | Kerry Gammill | Sam Dela Rosa | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #9 | | September, 1983 |
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| Plot | Penciller | Inks | | Archie Goodwin | Dan Reed | Danny Bulanadi | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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May, 1984 | | #17 |
| Plot | Penciller | Inks | | David Michelinie | Herb Trimpe | Vince Colletta | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #20 | | August, 1984 |
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| Plot | Penciller | Inks | | David Michelinie | Luke McDonnell | Danny Bulanadi | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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March, 1985 | | #34 |
| Script | Penciller | Inks | | Linda Grant | Steve Ditko | Danny Bulanadi | | A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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Indiana Jones & The Last Crusade |
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The official Movie Adaptation!
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| Issues Owned: | 1, 2, 3, 4 |
of 4 |
| #1 | | 1989 |
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| Writer | Artist | Letterer | | David Michelinie | Bret Blevins | Bill Oakley | | A summary to comeA summary to comeA summary to A summary to comeA summary to comeA summary to |
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1989 | | #2 |
| Writer | Artist | Letterer | | David Michelinie | Bret Blevins | Bill Oakley | | A summary to comeA summary to comeA summary to A summary to comeA summary to comeA summary to |
| #3 | | 1989 |
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| Writer | Artist | Letterer | | David Michelinie | Bret Blevins | Bill Oakley | | A summary to comeA summary to comeA summary to A summary to comeA summary to comeA summary to |
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1989 | | #4 |
| Writer | Artist | Letterer | | David Michelinie | Bret Blevins | Bill Oakley | | A summary to comeA summary to comeA summary to A summary to comeA summary to comeA summary to |
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After 20 years of drawing comics, he left the industry in the 80's to focus on his legal career as a public defender. In 1992, Bill was struck by a car while rollerblading, suffering a severe head trauma. He spent over a year in a coma and has since been institutionalized, he is not expected to fully recover.