Spectacular Spider-Man, by Marvel - Comic Gnome


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"Inspired by the most logical race in the galaxy, the Vulcans, breeding will be permitted once every seven years. For many of you this will mean much less breeding, for me, much much more."




Todd McFarlane After receiving more than 700 rejection letters, McFarlane's big break came just a few weeks before he graduated from college in March 1984, with a B.A. in General Studies. Todd accepted a job offer from Marvel Comics penciling 'Scorpio Rose', an eleven-page back-up story in the comic book 'Coyote'.

	Spectacular Spider-Man
My thoughts on this series as a whole have not entirely been formed yet, at least not so far as I would feel comfortable making them public. But anyway, I highly doubt that you came here to read what it is that I may or may not have thought.
Issues Owned:	6, 13, 14, 16, 17, 18, 19, 20, 22, 23, 24, 25, 26, 28, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 61, 62, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 77, 79, 80, 84, 92, 99, 101, 102, 103, 104, 105, 107, 109, 121, 125, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 141, 142, 143, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238	of 263

#134		January, 1988
Writer	Pencils	Inks
Peter David	Sal Buscema	Vince Colletta
Sin - Cere (part 1) A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	February, 1988		#135
	Writer	Artist	Lettering
	Peter David	Sal Buscema	Rick Parker
	Sin - Thesis (part 2) A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#136		March, 1988
Writer	Artist	Letters
Peter David	Sal Buscema	Rick Parker
Sin - Ister (part 3) A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	April, 1988		#137
	Script	Art	Lettering
	Gerry Conway	Sal Buscema	Rick Parker
	Nowhere to Run, Nowhere to Hide A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#138		May, 1988
Script	Art	Lettering
Gerry Conway	Sal Buscema	Rick Parker
Night of the Flag A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	June, 1988		#139
	Scripter	Artist	Lettering
	Gerry Conway	Sal Buscema	Rick Parker
	Grave Memory A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#141		August, 1988
Script	Art	Letters
Gerry Conway	Sal Buscema	Rick Parker
The Tombstone Testament A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	September, 1988		#142
	Script	Art	Letters
	Gerry Conway	Sal Buscema	Rick Parker
	Will A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#143		October, 1988
Script	Art	Lettering
Gerry Conway	Sal Buscema	Rick Parker
Deadline in Dallas A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	April, 1989		#149
	Script	Art	Letters
	Gerry Conway	Sal Buscema	Rick Parker
	What About Carrion A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#150		May, 1989
Script	Art	Letters
Gerry Conway	Sal Buscema	Rick Parker
Guilty A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	June, 1989		#151
	Script	Art	Letters
	Gerry Conway	Sal Buscema	Rick Parker
	Lock-Up A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#152		July, 1989
Script	Art	Letters
Gerry Conway	Sal Buscema	Rick Parker
A Wolf's Tale A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

	August, 1989		#153
	Script	Art	Lettering
	Gerry Conway	Sal Buscema	Rick Parker
	Siege A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

#154		September, 1989
Script	Art	Letters
Gerry Conway	Sal Buscema	Rick Parker
Claws A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come!

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