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Spectacular Spider-Man |
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Bitten by a radioactive spider, student Peter parker gained the proportionate strength and agility of an arachnid! Armed with his wondrous web-shooters, the reluctant super hero struggles with sinister super-villians, making ends meet, and maintaining some semblance of a normal life! - Stan Lee
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| Issues Owned: |
6, 13, 14, 16, 17, 18, 19, 20, 22, 23, 24, 25, 26, 28, 34,
35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49,
50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 61, 62, 64, 65, 66,
67, 68, 69, 70, 71, 72, 73, 74, 77, 79, 80, 84, 92, 99, 101,
102, 103, 104, 105, 107, 109, 121, 125, 127, 128, 129, 130, 131, 132, 133,
134, 135, 136, 137, 138, 139, 141, 142, 143, 149, 150, 151, 152, 153, 154,
155, 156, 157, 158, 159, 160, 161, 163, 164, 165, 166, 167, 168, 169, 170,
171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185,
186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200,
201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215,
216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230,
231, 232, 233, 234, 235, 236, 237, 238
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of 263 |
| #155 | | October, 1989 |
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| Script | Pencils | Inks | | Gerry Conway | Sal Buscema | Mike Esposito | Crash Out A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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November, 1989 | | #156 |
| Script | Art | Letters | | Gerry Conway | Sal Buscema & Mike Esposito | Rick Parker | The Search for Robbie Robertson A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #157 | | November, 1989 |
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| Script | Breakdowns | Finishes | | Gerry Conway | Sal Buscema | Mike Esposito | Shakedown A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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December, 1989 | | #158 |
| Script | Breakdowns | Finisher | | Gerry Conway | Sal Buscema | Mike Esposito | The Paste and the Power (or a very sticky situation) A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #159 | | December, 1989 |
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| Script | Breakdowns | Finisher | | Gerry Conway | Sal Buscema | Mike Esposito | These Shattered Senses or: "A Tale of the Brothers Grimm" A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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January, 1990 | | #160 |
| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | The Fear and the Fury or:"The Metal in Men's Souls" A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #161 | | February, 1990 |
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| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | Pardoned A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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April, 1990 | | #163 |
| Script | Art | Letters | | Gerry Conway | Sal Buscema | Rick Parker | The Carrion Cure A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #164 | | May, 1990 |
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| Script | Art | Letters | | Gerry Conway | Sal Buscema | Rick Parker | Bugged A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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June, 1990 | | #165 |
| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | Knight and Fog A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #166 | | July, 1990 |
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| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | The Deadly Lads From Liverpool A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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August, 1990 | | #167 |
| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | A Misty Kind of Memory A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #168 | | September, 1990 |
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| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | Sleeping Dogs A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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October, 1990 | | #169 |
| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | The Outlaw Trial A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
| #170 | | November, 1990 |
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| Script | Art | Lettering | | Gerry Conway | Sal Buscema | Rick Parker | The Final Calculation A summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to comeA summary to come! |
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